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- Why are they called Fishtank Ensemble?
- Why is the place in Oakland called "The Fishtank"?
- How long have they been playing together?
- Where I can I buy their CDs?
- How can I book Fishtank Ensemble?
- What style of music do they play?
- What bands influenced the Fishtank Ensemble sound?
- What's that funny banjo that Kevin is playing?
- What's violen with the horn on it?
- OK, so what's a Theremin?
- What language is Ursula singing in?
- I like Fishtank Ensemble. What other bands might I like?
- How can I find out about Balkan-style bands in my area?
- I want to hear more music by the members of Fishtank Ensemble?
- How do I contact the band, their management, or their record label?
- How do I contact the Webmaster?
- What happened to Glenn Allen (double bass in 2005)?
- Is the name of the band "Fishtank" or "Fishtank Ensemble"?
- Who are the gypsies, and what do I call them?
- How can I tell the first edition of Super Raoul from the second edition?
Frequently asked questions:
In the webmaster's fallible opinion, individual Fishtank members show the influence of, or admit to being influenced by, the following composers and styles of music:
The shamisen is unusual because: (1) even though it's a stringed instrument, the bachi striking the skin produces a percussive sound; (2) it's in the lute family but has no frets; (3) the Japanese tune the strings three different ways, and (4) known of these tunings has a fixed absolute pitch--the lowest note is chosen to match the singer's range. Also, Tsgaru-style shamisen music is the only traditional Japanese music where improvisation is encouraged.
In terms of Japanese culture, the shamisen was a "popular" instrument associated with folk music, geisha, entertainers, and in the case of Tsugaru shamisen, (usually) blind beggars called "bosama". This contrasts sharply with Japanese instruments such as the koto, which is associated with the nobility and with "proper" young women.
Perhaps the association of the shamisen with the common people is because the shamisen came to Japan from Okinawa and fairly late (in 16th century), and not directly from China much ealier as did many other instruments. The ancient Chiese sanxian became the Okinawan sanshin, which eventually became the Japanese shamisen (also called the samesen and in Tsugaru, jamisen). All three instruments are still played today.
Also check out our instruments page.
Also check out our instruments page.
Leon Theremin played his instrument for USSR dictator Lenin and toured Europe and the USA. He was a brillient scientist and had many other electronic inventions. (After his death in 1993, it came out that he had also been a spy for the KGB--a very successful one. He also invented one of the first electronic lisetening devices, or "bugs")
Anyway, Ursula played a mini-theremin for a while, before returning to real love, the musical saw.
Also check out our instruments page.
Experience shows that most people who like Fishtank Ensemble also like the famous Romanian folk group, Taraf de Haidouks. Those who like a more contemporary sound (and female vocalists), usually enjoy the Seattle-based Balkanarama. For a more traditional sound, cafe music and a female vocalist, try Balkan Cabaret (also from Seattle).
Here are some more suggestions by category. The order listed under each heading is approximately the resemblance to Fishtank Ensemble in style, material or spirit (very subjective). (Click to read a note on how these selections were made).
| If you like... | You might like... |
|---|---|
| Tsugaru shamisen, traditional | Contemporary: AKIHITO Narumi, NITTA Masahiro. Older: TAKAHASHI Chikuzan, YAMADA Chisato. On-line retailer (in UK, expensive): Farside Music |
| Tsugaru shamisen, pop/rock | Yoshida Brothers (Domo Records) Agatsuma (Domo Records), |
| "Gypsy"-style shamisen |
Well, this is a tough one. Perhaps some of the music by
NITTA Masahiro, a young shamisen player in Japan.
Perhaps if there were a fretless banjo...the Turkish Cümbüs comes close. You can hear one here or in some pieces by the Hungarian klezmer band Di Naye Kapelye. (The cümbüs (pronounced "juhmbush") is a 20th century instrument invented around 1900 by music store owner of Macedonian descent living in Istambul, Zeynal Abidin. The instrument's name (which was suggested by none other than Ataturk, the founder of modern Turkey) means "fun"! It became a popular instrument with Turksih gypsies. What it has in common with the shamisen is that the standard version is fretless and about 34 inches long. On the other hand the player doesn't use large plectrum or strike the skin. |
| Roma ("Gypsy") music from the Balkans | Taraf de Haidouks (ensemble - Romania), Mahala Rai Banda (brass band with strings - Romania), Fanfare Ciocarlia (brass band - Romania), Taraf de Metropoluntana (ensemble - Italy), Felix Lajko (violin - Hungary), Ibro Lolov (accordion -- Bulgaria); Saban Bairamovic (voice - Serbia), Esma Redzepova (voice - Macedonia), Anthology: Rough Guide to the Balkan Gypsies (catalog #: RGNET 1159 CD); Record labels: Piranha Records (Germany), Asphalt Tango Records (Germany). |
| Balkan folk music, cafe music, and vocals | Saban Bajramovic (voice - Serbia, check out his CD with Mostar Sevdah Reunion), Esma Redzepova (voice - Macedonia), Balkanarama (ensemble - Seattle), Balkan Cabaret (ensemble - Seattle) |
| Klezmer, Yiddish song | Traditional ensembles: Di Naye Kapelye (Hungary), Budowitz (USA), Contemporary ensembles: Klezmatics (USA), Klezmer Conservatory Band (USA). Anthology: Rough Guide to Klezmer (catalog #: RGNET 1047 CD). |
| French cafe music | Edith Piaf, Josephine Baker, Jacque Brel |
| Music of Kurt Weill | Lotte Lenya, Teresa Stratos |
| Flamenco guitar | Sabicas, Nino Ricardo, Melchor de Marcenhna, Paco Peña, Paco de Lucia, Paco del Gastor |
| Prog rock, fusion, neo-metal | Secret Chiefs 3, Estradasphere, or try the |
The Balkanarama web site has a list (click here) of Balkan-style bands outside the Balkans.
| If you want more... | Then try... |
|---|---|
| Aaron Seeman accordian | Duckmandu!, Punk Rock Orchestra |
| Doug Smolens ("El Douje") on Flamenco guitar | El Douje |
| Tim Smolens on double bass (replaced by Glenn Allen in 2005) | Estradasphere, ISS |
| Kevin Kmetz shamisen | God of Shamisen, Estradasphere (new album only), Secret Chiefs 3 (new album only) |
| Adam Stacey percussion, accordian and keyboards | Estradasphere |
| Tim Smolens, double base | Estradasphere, ISS, Don Salsa, Secret Chiefs 3. |
| Glenn Allen, (2005 tour) double base | Willy Bologna |
The English word "Gypsy"--usually applied to nomadic Roma--is dervied from "Egyptian"--in the mistaken belief that these people came from Egypt. All too often it has been associated with persecution and so has acquired a derogatory connotations. However, the term "gypsy" is commonly used when refering to music.
There is no connection between "Romani", "Roma" and "Rom" and the names Romania, Roman, or Rome.
The Roma are various known: in France they are the "Tsigane", in Hungary the "Cigány", in Italy the "Zingan", in Germany the "Zigeuner", in Spain they are the the "Gitanos" of Andalusia (originator of flamenco music); and in India the Lambani, Lambadi, or Raban.
The Roma kept their own customs and laws and did not often mix with other people or intermarry. Consequently, they have retained much of their language and culture.
Fortunately, gypsy musicians have always been willing to share their wealth of traditional music. They have also been quick to innovate new means for expressing their musical style. For example, none of the instruments we now associate with the Roma came from India. Roma musicans adopted new instruments (in approximately this order): the lute, the guitar (in Spain), the cymbalon, the accordion, the violin, the Cümbüs (in Turkey).
How can I tell the first edition of Super Raoul from the
second edition, and what's the difference?
(1) The second edition has a cartoon on the cover, the first had a
photographic montage; (2) the second edition has a copyright notice
on the CD disk. Both editions have the same songs in the same order.
The second edition is a better pressing--noticably on the two tracks
"Hora di Bucharest" and "Suite Romaine". (However, the first edition is
likely to become a collector's item.) Finally, the second edition is an
independent release.
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